You don't have it?
So, we're out playing a wedding reception and this little girl, maybe 5 or 6, walks up and requests a song that neither of us had ever heard of and certainly
didn't have in the library. It was some "kid song" and not really something that would have fit the mix anyway, so we just told her we didn't have it. Her instaneous response was "Can't you just download it?" This little incident underscores the fact that DJs, as well as cover bands, are now being expected to play (in the case of DJs) or fake (if you're in a band) anything the crowd wants. While bands typically get fewer "on the fly requests" than DJs, there are those who use their break time between sets to go online and, log into YouTube, and try to learn anything they may have had a request for during the first set—and if they can't remember the lyrics, they simply sing them with iPhone in hand. Check out this video from French tv where Will.I.Am uses his phone as a handy teleprompter.
For DJs, telling a client "Sorry, I don't have that" is an admission that they are simply ot of touch with the technology. There will, of course, always be those requests that simply don't fit the mix or event, but being able to go online and purchase that "special request" that you do not have has value that goes way beyond the .99 it costs to get the track.
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I'm at a point in my career where it’s time for payback, but in a good way. The journey of learning my craft began with listening to records cut from the backsides of cereal boxes and going to the Renfro Valley in Kentucky with my family to attend festivals. This circular path of learning from others - from weekly classes 35 years ago at a Huntsville, Alabama music shop, to music theory classes taught by my high school band director; the variety of courses from the rules of rhythm to Bel Canto opera at the University of Alabama as a Music Minor, and now with current private sessions with one of my mentors, David Walbert - has been crucial in my attempt to conquer the 6 and 12- string guitar. Today, I have an even more compelling urge to not only pass the torch of the collective knowledge gleaned from others, but to actually streamline some of these teachings by offering as many seminars, GillaCamp guitar workshops, and individual lessons as I can in order to hand over my encyclopedia of information.